There is a 2016 chick-flick called The Choice: https://en.wikipedia.org/wiki/The_Choice_(2016_film).

The girl in it is fine as fuck.

This movie is from a fucking Nicholas Sparks book so it's the ultimate chick-flick, but at the same time the first part of the film seems to be a masterclass in a certain kind of game that gets the hot chick to want this guy's dick like a diabetic wants insulin. I mean, this chick gets so wet for this guy in the movie that it's hard to describe.

That game has a "smug" aspect to it and a "Southern charm" aspect to it. The guy has a Southern accent and that is clearly a huge turn-on for a lot of women and a major asset.

Look at how turned-on the woman is in this scene. I think that that might be one of the most TRP movie-scenes I have ever seen in my life when you consider the fact that she has an extremely serious boyfriend she's cheating on in that scene. I mean, she has been with her boyfriend for years, she is intimate with her boyfriend's family, and they are taking about marriage. All that goes out the window for this "smug" country-boy.

1: What do you think about the "smug" game that the guy in the movie exemplifies in the first part of that film, leading up to the scene above where he fucks the shit out of her? How would you analyze his game?

2: What do you make of the whole "Southern charm" phenomenon? Is it a huge asset for a man?

3: What do you think about the Southern accent; is it a major asset?

4: What would a TRP analysis say about the strange anti-hypergamy of some of these chick-flicks? Cinderella is an example of a hypergamy-story; she marries the prince. But there are weird anti-hypergamy stories too: in The Notebook she ditches the rich guy for the lower-class Ryan-Gosling character, and in The Choice she cancels her engagement to the rich Tom-Welling character to marry a country-boy. So what's the deal? What's up with anti-hypergamy in these chick flicks?