Disclaimer: The following post contains SEVERAL spoilers for the Netflix series Santa Clarita Diet. Please watch all available episodes before continuing.

In my time within Men's Rights circles, I've known many friends and colleagues that often circle back to the same assertion: Feminism is cancer. The big problem that I have with this statement is simple- cancer is not contagious, yet feminism insidiously spreads to not just obese females and the beta men they cuckold, but to our most perfect specimens of traditional masculinity and femininity. I held my grandfather's hand as he died of stage 4 stomach cancer last year, yet my digestive system continues to run smoothly. My mother, my shining example of perfect submissive female behavior throughout my formative years, started flapping her jaw at me about 'the wage gap' after reading a single Jezebel article. To call feminism cancer is to ignore its very real wildfire-esque spread over the course of the last century.

On February 3rd of 2017, America's favorite entertainment company launched the first season of a series that would finally expose feminism as the disease it truly is- Santa Clarita Diet. For those who haven't seen it, the show revolves around a working suburban mother infected with zombism as she tries to navigate through her new life of eating human flesh to survive. Today I posit to you, dear reader, that the show is actually a Red Pill masterpiece which artfully depicts the ways in which feminism, homosexuality, and religion work together as the scourge of humankind to break down society at its focal points. How can we combat such a monolith? As Santa Clarita Diet demonstrates: we halt their progress by loudly voicing our disgust; we destroy them with superior logic.

The main female is Sheila Hammond, aptly named after the Australian word for girl considering that she is essentially shown to be 'the every woman'. Her character is meek, timid, and submissive in the beginning- the classic feminine archetype. After becoming infected she loses these traits in favor of more masculine ones- she is bold, assertive, and sexually charged. This is symbolic of feminism's corruption of the feminine spirit; the feminist virus literally kills Sheila's essence of self and replaces her with a dyke that wishes to feast upon the flesh of men. It is revealed in Season 2 that the virus was caused by a batch of unearthly clams; it's hard to miss the lesbionic imagery here. Sheila's first victim is the powerful and manly realtor Gary. She eviscerates him after he threatens to tell people that she has been unfaithful when she refuses to have sex with him; she tears him apart like a straw man, the first one of many. In Season 2 we learn that Gary's severed head survives the gruesome attack, but is of course infected with the feminism virus. The confident Gary we once knew is replaced with a soy boy that immediately requests that his assets be given to his closest surviving female relative. Conversations with Gary at this point are littered with references to how his testicles have been taken from him- he has lost his entire body, yet it is clear that this is just a symbol for him losing his masculine identity. As I mentioned earlier, the victims that Sheila tears apart symbolize straw man arguments that feminists continuously take down in an attempt to appear credible- a strip club owner, a drug lord, an Incel desperate for companionship, and a Nazi. The feminist archetype feels she is justified in killing men because society is 'better off' without them, but how can she reason this without due process? The fact is that she is driven by her Id, her desire for instant gratification. And the feminist Id wants nothing more than the blood of men.

Of course, it would be remiss of me to not bring up the topic of Sheila's husband Joel. He has not been infected by the feminism virus; instead, he is an alpha male that devolves into a beta cuck due to his wife's demands. Originally a star Quarterback Prom King Chad, now putting every need second to his wife's condition. His neighbor Dan attempts to use Joel's newfound beta nature for personal gain- this creates a dispute that ends with Joel murdering Dan, a symbol of how feminism has the potential to cause masculinity to destory itself. Dan's role within his household is replaced by Anne, a Christian Lesbian, showing that this destruction of traditional masculinity paves the way for its replacement by a matriarchal cult. Season 2 ends with Anne worshiping Sheila as a prophet, further cementing the feminist cult analogy.

While such a prognosis for society seems bleak, we still have the power to fight. In Season 1 we discover that a medicinal compound can stop the progression of the virus- the key ingredient of this being 'the bile of a Serbian'. Little known fact: Serbia's primary newspaper, Politika, has recently published articles about the dangers of feminist propaganda. They were disgusted at how recent husband-on-wife murders were being used to further the feminist agenda, and they loudly voiced that disgust. By saying that the virus's progression can be arrested with Serbian bile, we can take from that the knowledge that our own disgust can prevent feminism from progressing, as long as we make that disgust known far and wide. The infected can't truly be killed however unless the brain is destroyed- we must destroy their inferior logic with our own logic. Then, and only then, will we be able to make America great again.