In 1972 Jane Fonda won best actress for her portrayal of Bree Daniels, a high-end call girl who helps a detective solve a crime.

There's a scene where Bree is screwing a client and going wild, moaning and bucking in ecstasy.

Mid scene, she pauses and looks at her watch... a clear demonstration of detachment from the sexual act.

It's a performance... not the overwhelming emotional experience she is faking, and certainly not the experience he is having.

It's arguably the scene she won the Oscar for, but try finding a clip of it online.

Wonder why?

From a blue-pill website...

"Then comes the famous moment: “Oh, my angel!” she cries, as he wimpily humps her (we never learn what his special request was). Bree moans and moans, takes a quick peek at her watch, then keeps on moaning. There’s no real break in the action. If she’d wanted to get a bigger laugh, Fonda would have made the movement of looking at her watch more staccato. Instead, she takes the riskier route, showing that you can have two disparate things going on at the same time without switching from one to the other."

https://brightlightsfilm.com/hooker-with-a-heart-of-darkness-jane-fonda-in-klute/#.XMjHNuhKjb0

The redpill holds that women are chameleons, who mirror your interests to manipulate you. I think this applies to this movie scene, and what it's message was.

Your girl isn't having the experience that you are... it's just you projecting your experience onto her, and her mirroring it back to you... deliberately.

Gentlemen, you are just interacting with yourself... a pale reflection of your own excellence.

/Xtra points for anybody who finds a posted clip.