https://www.youtube.com/watch?v=ekdWS1c3-bg
Бременские музыканты (Bremenskie Muzykanty) is a Soviet animated parody of the Jakob Grimm's fairytale Town Musicians of Bremen, with a revolutionary twist.
The main characters are a quintet of traveling musicians: A dog, a cat, a rooster, an ass, and a human troubadour.
When the poor traveling musicians arrive at the wealthy king's town, the troubadour falls in love with the king's daughter. Then the quintet gets kicked out of the castle, so the troubadour and the princess sing about missing one another and freeing her from the boring palace. Inspired by the plans of 4 nearby robbers, the band of 5 kidnaps the king so that he'll have to let his daughter see the troubadour again. When the quintet lets the king back into his castle, he lets in only the troubadour, and the troubadour rescues the princess to be with the rest of the band in the end.
TL;DR: In this Soviet film, the moral of the story is friendship, freedom, and love over wealth; whereas in Hollywood, the romantic plot typically revolves around a man having to become wealthy or otherwise successful in order to seduce his hypergamous love interest. Men in communist countries are not given the same misandric expectations of being the main providers, and so the women there have been deconditioned from hypergamy or at least from any classist manifestations thereof.
So, would it be fair to conclude that communist countries are generally the least misandric?
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