I want to quickly put this up here before the impulse escapes me. I was reading Neil Gaiman's Sandman A Game of You: Over the Sea to Sky, and happened on this priceless gem of a quote.
"Boys and girls are different, you know that? Little boys have fantasies in which they're faster, or smarter, or able to fly. Where they hide their faces in secret identities, and listen to the people who despise them admiring their remarkable deeds. Pathetic, bespectacled, rejected Perry Porter is secretly The Amazing Spider. Gawky, bespectacled, unloved Clint Clarke is really Hyperman. Yes?
Now little girls, on the other hand, have different fantasies. Much less convoluted. Their parents are not their parents. Their lives are not their lives. They are Princesses. Lost princesses from distant lands. And one day the King and Queen, their real parents, will take them back to their land, and then they'll be happy for ever and ever."
Note: Perry Porter is obviously Peter Parker and Clint Clarke is obviously Clark Kent. Not sure why Gaiman put this bande dessinée à clef (like a romans à clef but with comics) here. Perhaps to avoid copyright issues with Marvel and DC who respectively own rights to those characters.)
I spent some time searching for published studies of gender differences in children's fantasy, and the first paragraphs bears out, but I can't find anything resembling Gaiman's assertion in the second graph. Girls fantasy involve more descriptive landscape, animals, involves problem solving through cooperation, magic creatures who are friends with them and not foes they have to fight. I wonder if this is true, perhaps other people with better Google skills could turn something up.
This made me think of JK Rowling's Harry Potter. Rowling is a woman, and if this assertion is true, Rowling wrote the character Harry Potter with a girl's vantage point precisely because Rowling is a woman and has never experienced a boy's internal narrative fantasy. Potter is a revealed to be special, not just a wizard, but a wizard with famous parents, a child who survived an encounter with the Dark Lord himself. He eventually leaves the cupboard underneath the stairs, goes to wizard school and is revealed to be the hero.
A large selection of children's fairy tales also confirms this theory. Cinderella: really a daughter of a rich merchant, revealed in the end. Snow White: really a princess forced by circumstance to flee her station and live with dwarves. Donkeyskin: really a princess hiding under an ugly skin of a donkey. The Goose Girl: really a princess. The Princess and the Pea: really a REAL princess. Sleeping Beauty: one of the few classic fairy tales to buck the trend, she's never anything else but a princess. Beauty and the Beast: bucks the trend, never a princess, became one.
I conducted an unscientific experiment among my male friends, and my beloved. All confirmed they wanted to be better stronger faster more heroic in their childhood fantasy. n=0 for women, I haven't had a chance to ask anyone. As for me, I'm thinking, I can't remember what my fantasy of myself was when I was a child, although I was a bookish child so probably had lots of fantasies already created for me to step into.
Anyhow, all this verbosity tied in with a previous conversation I had with user autoNFA, relevant part starts here. Women's fantasy is about their unseen innate goodness, men's fantasy is projection of their power. This seems to have started in childhood and matures over adulthood.
I find this a very interesting subject, so probably will have more to add. Also, /u/autoNFA, I still owe you a viewing and review of Say Anything, I haven't forgotten. Goddamn I've been so busy over the last week. I'll stick the review here, it's on the top of my list of things I owe people, rest assured I'm not Welshing on it.
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