This is the first of these that I've ever done. The basic idea is that I watch a video or read a book and make an outline of it that I can reference. I post it on here and save everyone else time from reading or watching the entire thing. I apologize for the formatting, I copied it straight from TextEdit and it didn't transfer very well, but I hope you guys like it.

Becoming the Gorilla - Brad Branson
https://www.youtube.com/watch?v=QS36bpEi1qI#aid=P8VZEANDYJg

"Entitlement Game" (not quick to respond, not trying to qualify)

Attraction=Value

Direct Approach:

1.Full eye contact - keep holding it

⁃   Full frontal  ⁃   They KNOW why you're there, just be DIRECT  ⁃   Feel entitled - what would P Diddy do? --> but how do you get to this feeling? keep reading.

  1. Be loud and projecting

    ⁃ assume attraction - gives the girl a role to follow "I guess whenever he talks to girls like me they're attracted"

    ⁃ maintain a stronger frame

    ⁃ keep in mind the girl will have much more reference points than you. you can assume "i deserve a ten" but how many reference points do you actually have vs. the girl's assumption "i am a ten", if she is she probably has thousands

    ⁃ so what do you do?

    ⁃ build trust in your approach, your ability

    ⁃ abundance in the approach

    ⁃ setting the initial frame sets the frame for the entire relationship

    ⁃ the more you incorporate these ideas into your approaches and get positive responses, the more reference points you'll have to stabilize your confidence and feeling of entitlement

    ⁃ talk through the girl

    ⁃ talk a meter behind the girl

  2. Tonality

    ⁃ slants up at the end = seeking rapport. BAD

    ⁃ slanting down = commanding, challenging

    ⁃ don't want to sound like a dick?

    ⁃ incorporate a playful little smirk with it

    ⁃ using this type of tonality provokes an autopilot response in the sense that if your tone is downward slanting, they'll be naturally inclined to respond with an upward slanting tone

    ⁃ by using this tonality, it gets her to seek rapport and it will make the girl talk more and allow you to talk less

    ⁃ this tonality also will set the frame so the girl feels like she's gaming you

    ⁃ their reference points of this type of tonality will remind them of high-value, authoritative people and they will project these opinions onto you

    ⁃ being in a good emotional state is huge in helping this

    ⁃ HOW TO GET OUT OF A BAD EMOTIONAL STATE WHEN YOU'RE DOWNTOWN

    ⁃ female polarity - they are externally focused and build their state from external things

    ⁃ male polarity - build your emotional state by being on your path, winning the war.

    ⁃ the problem is most guys downtown will make the woman their path

Dancing - how will you polarize to the girl?

⁃   do you need to be higher energy than the girl?  ⁃   not always, there are different types of energies  ⁃   walk up, approach with rapport-breaking tonality, don't try to start dancing like they are, let them come into your frame

So when do you use breaking-rapport tonality?

Calibration.

⁃   Ultimately this comes down to value  ⁃   At the beginning of the interaction you will want to convey as much value as possible, so you'll use breaking-rapport tonality  ⁃   But you'll need to calibrate based on how attractive the girl is and the context  ⁃   Example: If you walk up to a girl in a mall and use strong breaking tonality and projection she might feel threatened, maybe she'll think you're coming to assault her or steal her purse. You didn't calibrate to the environment. But in a nightclub at 2 am if you're approaching a girl who's just blown off four guys, you have more room to use this type of tonality more intensely.  ⁃   Usually the more attractive they are, the more you should use rapport-breaking tonality  ⁃   Types of Calibration:  ⁃   1. When you don't have value - strong breaking-rapport tonality  ⁃   2. When there's not a lot of stimulus in the environment, don't use as strong of tonality

Remember that this takes getting used to

The Inner Game Aspect of Entitlement:

The byproduct of entitlement is indifference. When you feel entitled to the girl you feel indifferent.

So how do you build indifference?

Build Momentum

⁃   more approaches build more momentum  ⁃   if you've already done 15 approaches that night you're less inclined to be really invested in how the 16th one goes  ⁃   but still try to build momentum.. don't try to do a ton of approaches so that you'll be indifferent in a bored way  ⁃   if you're going out a lot you'll build a baseline of momentum, whereas if you're not going out as often it will take longer to shift gears into that social headspace

A good way to get over Approach Anxiety - make it a rule that any time you walk into a venue, you always approach the first girl on the left.

Focus on becoming conscious when you're talking to the girl if you're feeling outcome-dependent

⁃   Do you feel like you really want this specific girl?  ⁃   How do you push past this?  ⁃   Remind yourself to act entitled, convince yourself that you don't care if you throw the interaction away.  ⁃   Think of how you feel when you're doing well in an interaction, the way you start to act and think because you start to feel entitled. Try to shift your mindset to this same point.

Why do stupid guys (the example he uses is Jersey guidos, macho men) do well?

⁃   it's like they have an internal hip hop track saying "I'm the man"  ⁃   guys that get into PUA are usually "too smart for your own good", hypersensitive to social feedback  ⁃   these stupider guys are completely oblivious to any social feedback  ⁃   how do you fix this?  ⁃   don't let yourself add any value to social feedback that you pick up on, they will become self-fulfilling prophecy  ⁃   don't let these things get to you  ⁃   force the frame that you want  ⁃   obviously it's not the easiest thing in the world, but it will become easier  ⁃   keep in mind that more attractive girls will give you less IOIs and less positive social feedback, you have to learn to use your internal drive to determine your state which means not focusing on the social feedback  ⁃   learn not to ping off of other people. maintain your frame and allow it to be stronger  ⁃   maintaining the frame can build tension  ⁃   Imagine if Sacha Baron Cohen came on stage and started out with an absurd line making fun of Jewish people and the audience all crossed their arms, glared at him, and didn't like the joke. If he maintains his frame, it builds the tension that makes them start to laugh. He doesn't try to change up the way he's acting to try and please them.  ⁃   Maintaining a frame is how you pass shit tests

Key/Takeaway Points:

•   Using a rapport-breaking tonality will provoke the girl to respond in a rapport-seeking tonality which will not only cause them to talk more and allow you to talk less, but will also set up the frame where she will feel like she's gaming you.  •   If you feel that you're in a bad emotional state, remember that masculine energy is built from focusing on your path. Usually you'll get upset because you have made the woman your path rather than focusing internally.  •   When using rapport-breaking tonality, to avoid sounding like a dick, try incorporating a playful little smirk.  •   Be aware of the girl's value and the context of the situation in order to calibrate. The more stimulus in the environment, the higher value you will have to convey; the less stimulus you're competing with, the less you'll have to convey, and the less you should convey to avoid being overwhelming.  •   The byproduct of entitlement is indifference.  •   Doing lots of approaches helps you build momentum which helps you build indifference  •   When you're talking to girls, try to become conscious of when you're feeling outcome-dependent, and remind yourself what it feels like when you feel indifferent  •   Don't let yourself get caught up on social feedback; a lot of the more attractive girls are used to constant flirting and don't need to give indications of interest to hook guys, so they won't. Focus more on maintaining your frame, and this builds off of the notion that you shouldn't be outcome-dependent.

--Audience Question/Answer section will be posted in the comments.

I apologize if some of this seems poorly organized, the speech didn't follow a logical order all the way through, but I tried to make the notes I took as logical and concise as I could.

This is the first of these I've done, if you guys think it's helpful I'd be glad to do another.