If you're going to read this post, read it as a whole. It's structured in a way where the idea I am trying to convey is inside the entire post.

1. Create and build comfort

It all depends on the situation and how you use your game, but for most situations you must build comfort before you go further. Spending a few minutes talking to a girl before telling her you want to take her to the movies gives her the opportunity to assess you. If you simply come up to a girl and tell her you want to go out with her, she has to make a fight or flight response. Fight being that she will go for it, and flight meaning she wont. I personally believe the way women actually make this decision mentally is very similar to the human fight or flight response. So this is why good looks, style, a nice car, and all of this type of stuff matter so much when you give her little to work with. She has to make a judgement on you based off of what limited information she has of you. It's going to be instinctual on her part.

Think about how many people you've had a flight response to in your life, and were forced to converse with them. Then after talking to them for a couple of minutes, you really liked them. Talking is a huge way of building comfort.

2. Create and build attraction

I can't count how many guys I have known that do not understand this one concept. You can create attraction. This is what game is, this is what seduction is.

It's like Bill Burr said in one of his comedy specials: "the men in this room are programmed to fuck 85% of the women here.", and it's true. When you're at work or school, you're programmed to fuck most girls there. Take a moment to think about why you only like some of these girls to a high degree. Why don't you like that hot girl as much as you do some of the other girls? I can tell you why.

You're either not comfortable enough or you're not attracted enough. Both very changeable. Maybe she's really hot and guys ask her out all the time, and she's also pretty confident. Maybe the source is that you feel she's realistically unattainable. Go one level deeper. You don't feel as comfortable with her as you do with the other girls. Why? Because of very changeable variables. All she has to do is change what she does and you're going to start to like her. You're going to tell me that a girl that you are sexually attracted to can't come up to you, get to know you, really show you who she is, do nice things, accentuate her femininity, appear vulnerable, and etc, cannot get you to like her? Unless you tell me why you won't like her, or why you'll disqualify her, you and I both know that you're going to start to like her a lot.

Now there is the creation and building of attraction. It's really an art form. Take a few moments to read this story:

The Musician.

You are a professional musician that plays the harp. You play your harp in a famous music building where all of the people are musically inclined. Where you play your harp is up to you. You could play your harp in one of the busiest parts of the building while people walk by or you can choose to play your harp in a private room where people may pop their head in to see how you play. You put yourself in the shoes of one of the people in the building. You can see yourself walking around and finding someone playing the harp like Yo-Yo Ma plays the cello. It would stop you dead in your tracks, and all you would want to do is listen.

So you play your harp in the lobby as people walk by. You play a piece that you think everyone would like. It's pleasant. People love to walk by to that tune. Sometimes you get the quick listener for a couple of minutes until they have to leave to go on with their day.

So you start getting better at playing the harp. You find some musical pieces that others vouch for as being more pleasant than the ones most people play. Sure enough when you try it the next day, some more people stop to listen to your playing. But not much changes. You're still the same musician that you were before, you just changed what you're playing. That's now what a real musician is. That's just a player of tunes.

So you start to think: what would a real musician do? You go home and come back the next day to play again. You start to try to understand how people are. You incorporate the musical pieces that you played the day before and you read how people react to it. Some pieces work for some people, not for others. For those people that liked a piece you played, they stay to here a little bit more, but you don't have more of that piece to play. So you play another piece that others vouched as being more pleasant than average, but the people leave. Maybe the two pieces are too different for the person listening. Maybe they connected with the first piece but not the second. You go home to sleep on what you learned.

The next morning you start playing a piece that worked well for you the day before, and when you finish that piece, you don't just switch to another piece. You try to see what that person that stopped to listen likes. You see that they like the early renaissance harp music, so you don't switch it to Celtic. What you do is you improvise some early renaissance. What you originally played was a piece that was vouched for by others as being above average in pleasantness, so you obviously didn't improvise at that level. Your improvisation was below average. But what happened was an improvement from the day before, you kept the person interested for longer. You played what they wanted to hear and they liked it, but they still left because the playing itself was below average.

Confident with what you now learned, you continue to play day in and day out trying to learn what types of music certain people like, learning more pieces that others vouch for as being really pleasant, and really connecting with the people that you're playing the music for.

This is no easy process, you spend weeks and months building your skills and knowledge, and slowly becoming a real musician.

Some time later, you're playing in the lobby, but you are no tune player. You are now a musician. You gracefully slide your fingers over the strings. You know your strings. You feel every one of them, and you know how to play it. You understand the pure beauty of music. You see a girl coming in the distance. You've known and played for many like her. She's a sweet girl, lightly dressed, light sense of humor, kind of the way you like them. You carefully place your fingers on the strings and you begin to play. You know your trade, your music is beautiful. As she walks by she just stops, she's heard this type of harp music before, she loves it. She looks at you and you look at her. You can see right through her. She doesn't even have to know what she wants, just you do, you know what she wants, you just get her. When you play, you masterfully play those pleasant musical pieces you played when you started out. And your transitions between them are flawless, you know just what to play to elicit an emotional response in her with each piece. She's still standing there, and you know she's not going anywhere.

You continue to play for her, but you're not a player of tunes, you're a musician. You know that's where your value lies, you cannot fake being a true musician. You see in her something that you feel she would love to hear but you don't have the notes for it, you don't need the notes. You know what she loves to hear, you don't need to ask. You begin to play. Each string you strike has a response in her. But you are not a simple man, you are a musician. You play the notes in a certain way, each note being significant, and each pattern of notes being intricate, leading up to a beautiful composition of your own harp piece. You have true talent. She's still there getting goosebumps from your playing. She can count on her hand the number of times someone has played for her like that.

You gracefully finish your piece to some applause around you from some people that stopped to listen, as you look over to another musician playing in the distance. You see and hear him playing the same pleasant tunes that you have played when you started out. You know him, you were him. You know his talent, he is but a tune player, he cannot give her what she truly musically desires.

You look over at the girl that you played for. You can see how much she emotionally connected with what you played. You see the fragility in her face, the feeling of what she just experienced. You watch as she slowly approaches you and tells you how beautiful what you played was. She lifts her purse, takes out her wallet and says "I want to buy your cd".

That was the story, I hope you enjoyed it.

Going forward with the post, most guys pay attention to what they/the girl/society think that the girl wants. Go one level deeper. Find out what she really wants. I read today a post where a guy described himself in his past like this: "I would spend 3 to 4 months developing a non romantic relationship with women before I would ask them out.".

Think about this. Is this actually what the girl wants? She wants to love, to feel, to enjoy life. She wants to be happy. This is what she wants. Throughout your life you have learned what you think girls want. Go one level deeper. Really begin to understand what the girl actually wants and desires. The true inner workings.

When you modify your life to work like that, everything becomes much easier. Everything sets into place. What do you put in your resume? You put what the other person wants to see. You don't use a template, or common sentences. You custom tailor it to that exact person that will be hiring you, and this will increase your chances. When you talk to a girl, you're paying attention to the words, but what you're paying even more attention to is who she really is. Really understanding and mapping her mentality. Really connecting with her. You're going to say something sort of mean and she's going to be shocked at the sight of that. White knights around you will look at you like you killed someone, and they will vow to never displease a woman like that. But they don't understand. You know her and you get her, she knows you and she gets you. It's you two vs. the world. You knew how she would emotionally respond to your little mean joke. She didn't think of it as mean, she thought of it as playful, and she reciprocated by laughing after her "fake" shocked face.

There is no topping this. This is end-game. Red Pill is end game. There is no one up. Red Pill is the true understanding of of women and who they really are.