This is a spin-off of the thread about men preferring young sex workers (duh!) and then some posters are insisting that older women are not wanted in movies.

According to them, it's either men - young or older, or young beautiful women. There are no other box office drawcards, apparently.

The problem as I see it is that women are frequently not put in lead roles in blockbuster films.

When they are, such as Sigourney Weaver in Alien - it works. Sigourney is set to star in more Avatar movies - her star power will continue.

Sandra Bullock continues to be a box office draw. Having a woman star in Gravity didn't turn movie goers away.

But the older, male producers of Hollywood are still churning out the same-old same-old, resulting in older movie-goers flocking to indie movies to find the movies they want to watch:

Ignored by youth-obsessed Hollywood, older audiences flock to indie films

https://www.theguardian.com/film/2016/jul/02/youth-focused-blockbusters-older-audiences-independent-films-arthouses

Actresses Over 60 Are the New Box-Office Powerhouses

http://www.vulture.com/2016/08/actresses-over-60-are-now-box-office-powerhouses.html

If women are not put in lead roles in big action movies (as well as others) they face an uphill battle. Because Hollywood need big action movies in order to survive. To sell movies to China, movies need to be scarce on dialogue and big on action, explosions, monsters:

The US domestic market is shrinking; most of the revenue now comes from offshore and that means China, where box office growth is phenomenal. In order to maximise the reach of films into that highly restricted market, the studios need films that are easy to market to people who don't speak English. That means dialogue and characterisation are out, broad action and simple plot (beasts/sharks/robots chase humans) are in. Forget nuanced political issues and be careful about supernatural themes – the Chinese won't license the film if they don't like the treatment. The new Chinese audiences aren't stupid, but they don't want to read subtitles any more than Americans do. A new mantra has risen: Make the monsters bigger.

http://www.smh.com.au/entertainment/movies/why-are-movies-so-bad-20151208-gli68i.html

Movies are bad because they are incredibly hard to make.

http://goodinaroom.com/blog/real-reason-hollywood-makes-bad-movies/

It's easier to go for guns and explosions, because making a movie work without big budget effects and action is incredibly hard.

Again, women lose out because studios go for the man/guns/explosions formula. They're terrified of deviating from this because it's risky - even to do woman/guns/explosions.

And with many movies being rehashes of older movies, and these older movies having had male actors, the cycle keeps repeating:

Today, the major studios rarely release experimental or ambitious projects like Taxi Driver or The Godfather. They stick to sequels, remakes, rehashes, and franchises. Of the top 10 grossing films of 2014, worldwide, five are sequels, two are remakes of some kind, and 1 is a movie about living toys.

http://www.cheatsheet.com/entertainment/why-dont-hollywood-studios-make-original-movies-anymore.html/?a=viewall

Recently, a studio tried a remake with all women - ghostbusters. It was successful, but not as successful as it could have been without all the thumbsucking baby men who refused to go see it because ... women. As if the fucking odds weren't stacked so high against women in the first place.

All of the above is why women, and esp. older women do not feature in blockbusters as often as men.